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Musashino Animation used to be a name that meant something. Now the lights are half off, the desks are empty, and the staff that stuck around can count themselves on two hands. A big project got yanked, the money dried up, and everyone else walked out the door. Aoi Miyamori still shows up every morning anyway, even when she isn't sure why. Then Jun drops a bomb on her at a morning meeting: he wants her running the whole thing. A theatrical feature, ten months out. Not an assistant role, not a corner of somebody else's production. Hers. Aoi has spent years putting out fires for other people, so she says yes. She has no idea what she just agreed to. The studio is broke, the schedule is a joke, and the new hire Kaede Miyai is the only fresh face in a room full of tired ones. Her friends are drowning in their own messes too: Ema can't keep her head above her deadlines, Shizuka keeps getting passed over for the roles she actually wants, Midori's pen has gone quiet, and Misa worries that loving her work too much is the thing holding her back. Ten months is not a lot of time to save a company. Can five women who keep getting knocked down actually pull this off?
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Shirobako MovieWatch
Movie · 2020 · ★ 7,7
Musashino Animation used to be a name that meant something. Now the lights are half off, the desks are empty, and the staff that stuck around can count themselves on two hands. A big project got yanked, the money dried up, and everyone else walked out the door. Aoi Miyamori still shows up every morning anyway, even when she isn't sure why.
Then Jun drops a bomb on her at a morning meeting: he wants her running the whole thing. A theatrical feature, ten months out. Not an assistant role, not a corner of somebody else's production. Hers. Aoi has spent years putting out fires for other people, so she says yes. She has no idea what she just agreed to.
The studio is broke, the schedule is a joke, and the new hire Kaede Miyai is the only fresh face in a room full of tired ones. Her friends are drowning in their own messes too: Ema can't keep her head above her deadlines, Shizuka keeps getting passed over for the roles she actually wants, Midori's pen has gone quiet, and Misa worries that loving her work too much is the thing holding her back. Ten months is not a lot of time to save a company. Can five women who keep getting knocked down actually pull this off?