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12 episodes · ТО ДубляжнаяEpisode schedule
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Midori Asakusa scribbles spaceship hulls on school walls and forgets the real one exists. Her sketchbook is crammed with backgrounds nobody asked for, whole cities built in the margins between classes. Sayaka Kanamori, her best friend, is the one who yanks her back down to earth, usually to point out they have no money. Then a run-in with a bodyguard changes everything. The girl they rescue is Tsubame Misuzaki, a popular model who hides a secret: she draws people, and she draws them beautifully. Asakusa does landscapes. Misuzaki does faces and bodies. Kanamori sees cash. Just like that, a motion picture club is born, named that way because the school already has an anime club and would never allow a rival one. Now three girls with almost nothing in common have to actually finish a film. Asakusa wants her imaginary worlds on screen exactly as she sees them. Misuzaki wants to animate movement that feels alive. Kanamori wants to know who is paying for the paper. Deadlines, budgets, and their own stubborn heads keep getting in the way, and every finished cut seems to raise the bar higher. Can a sketchbook dreamer, a secret artist, and a girl who only cares about profit really make something the whole world will stop and watch?
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Keep Your Hands Off Eizouken!Watch
Eizouken ni wa Te wo Dasu na!
TV Series · 2020 · ★ 8,1
Midori Asakusa scribbles spaceship hulls on school walls and forgets the real one exists. Her sketchbook is crammed with backgrounds nobody asked for, whole cities built in the margins between classes. Sayaka Kanamori, her best friend, is the one who yanks her back down to earth, usually to point out they have no money.
Then a run-in with a bodyguard changes everything. The girl they rescue is Tsubame Misuzaki, a popular model who hides a secret: she draws people, and she draws them beautifully. Asakusa does landscapes. Misuzaki does faces and bodies. Kanamori sees cash. Just like that, a motion picture club is born, named that way because the school already has an anime club and would never allow a rival one.
Now three girls with almost nothing in common have to actually finish a film. Asakusa wants her imaginary worlds on screen exactly as she sees them. Misuzaki wants to animate movement that feels alive. Kanamori wants to know who is paying for the paper. Deadlines, budgets, and their own stubborn heads keep getting in the way, and every finished cut seems to raise the bar higher.
Can a sketchbook dreamer, a secret artist, and a girl who only cares about profit really make something the whole world will stop and watch?