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12 episodes · Shiroi KitsuneEpisode schedule
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Izumi Tachibana gets a letter out of nowhere and follows it to Veludo Way, the street where her father once ran a theater troupe called Mankai. The place is still buzzing with performers, but the building itself is one step from being sold off to cover crushing debt. She corners the debt collector at the last second and talks him into one final shot. He says fine, then lists his terms: the debut show has to land within a month, all four male sub-troupes have to come back, the whole debt has to be cleared in a year, and she has to direct. So much for a warm welcome home. She scrambles to fill the Spring Troupe with five guys: Sakuya, a high schooler who is way too excited about all of this; Masumi, who mostly joined because he is head over heels for Izumi; Tsuzuru, who writes plays but has never stood on a stage; Itaru, an office worker who seems a little too old for this crowd; and Citron, a friendly foreigner with zero acting background. Almost none of them know what they are doing. Izumi has weeks, not months, to turn this group of misfits into something an audience would actually pay to see. Can five rookies with no experience carry a dying theater on their backs before the clock runs out?
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A3! Season Spring & SummerWatch
TV Series · 2020 · ★ 7,1
Izumi Tachibana gets a letter out of nowhere and follows it to Veludo Way, the street where her father once ran a theater troupe called Mankai. The place is still buzzing with performers, but the building itself is one step from being sold off to cover crushing debt. She corners the debt collector at the last second and talks him into one final shot. He says fine, then lists his terms: the debut show has to land within a month, all four male sub-troupes have to come back, the whole debt has to be cleared in a year, and she has to direct. So much for a warm welcome home.
She scrambles to fill the Spring Troupe with five guys: Sakuya, a high schooler who is way too excited about all of this; Masumi, who mostly joined because he is head over heels for Izumi; Tsuzuru, who writes plays but has never stood on a stage; Itaru, an office worker who seems a little too old for this crowd; and Citron, a friendly foreigner with zero acting background. Almost none of them know what they are doing. Izumi has weeks, not months, to turn this group of misfits into something an audience would actually pay to see.
Can five rookies with no experience carry a dying theater on their backs before the clock runs out?